Parole ... Well-known 19th century minstrel folksong composed by Stephen Foster. ...Well-known 19th century minstrel folksong composed by Stephen Foster. "Oh, Susanna, Don't you cry for me, ‘Cause I come from Alabama with the banjo on my knee...". Male country singer, guitare, banjo, slide dobro & rythmique. Instrumental tr-28 & 29.
Verse 1 Well I come from Alabama with a banjo on my knee I'm bound for Louisiana, my own true love for to see It rained all night the day I left The weather it was dry Sun so hot I froze to death Susanna, don't you cry
Chorus Oh, Susanna Don't you cry for me ‘Cause I come from Alabama with the banjo on my knee
Verse 2 I had a dream the other night When everything was still I dreamed I saw my girl Susanne She was coming around the hill
The buckwheat cake was in her mouth A tear was in her eye I said I come from Dixie girl Suzanna, don't you cry
Chorus Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with the banjo on my knee Yeah Oh, Susanna Now, don't you cry for me ‘Cause I come from Alabama with this banjo on my knee
Words & Music by Stephen Foster (D.P) Arrangement by Manuel Galvin & Jean-Jacques Milteau
Parole ... Revisited typical cumbia song in a pop mood, sung in Spanish. ...Revisited typical cumbia song in a pop mood, sung in Spanish. Sentimental & swaying. Male singer, electric guitar, percussion, synth, brass @2'09.
Por el poder que me confieren mis pecadosTe perdono si te observono me ignoróPor tu actitud ante las cosas que pasaronte condeno a vivir como un mal recuerdo de esos malos de los feosde los que te hacen estar solo bebiendo en un piano bar.
¡oye bien!si por la paz que ahora me embriaga te enfurecesyo lo sientola he tenido que trabajary llevar a este estado espiritual. Si aún la conciencia no te alcanza ni siquiera para pensarla sentencia pesa másy por la gracias divina será a mi a quien mal recordarás.
Lo digo y lo sostengo yo no doy un paso atrásEl cliché de que no es fácilvolverse a enamorar. Ya deja la amargura la sentencia acógelarespira bien, relájate,no nos veremos ya.
si por la paz que ahora me embriaga te enfurecesya deja la amarguradebe ser que lo mereces. Ya sé, que tú lo sientesy espero que allá en el camponos volvamos a encontrar.
Underscore. Revisited typical cumbia in a pop mood. Sentimental & ...Underscore. Revisited typical cumbia in a pop mood. Sentimental & swaying. Electric guitar, percussion & synth.
Parole ... African-American spiritual song of the 19th century. "Go, tell it on ...African-American spiritual song of the 19th century. "Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction with gospel lead vocal & choir a cappella. Rhythm section & electric guitar @ 0'31. Instrumental tr-30.
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Folk song. Dreamy & determined. Male voice, folk & electric guitars, ...Folk song. Dreamy & determined. Male voice, folk & electric guitars, synth & tambourine.
Parole ... Rhythmic & uplifting love song in a Mexican folk style, sung in ...Rhythmic & uplifting love song in a Mexican folk style, sung in Spanish. Male singer, Jarana Huasteca, guacharaca, strings, requinto solo @ 1'40.
Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos?¿Nos amamos? Esclavo de un impulso, una mascota Que se tiene, pero nunca se le toca Presiento que me huyes y no importa Solo fuimos cómplices de una derrota ¿Nos cegamos?¿Nos cegamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama... Tenerte me fascina y me provoca Arrancarte de mi piel y mi memoria Nos vemos, nos olemos, nos besamos Y mi sexto sentido me cuestiona, ¿Nos amamos? ¿Nos amamos? Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Eran labios color rojo carmesí Se llevaban lo que quedaba de mí Yo recuerdo aquel intenso frenesí Y no siento ser aquel que una vez fui Amanece, Amanece, Amanece, Ama...
Instrumental. Rhythmic & uplifting track in a Mexican folk style. ...Instrumental. Rhythmic & uplifting track in a Mexican folk style. Strings, Jarana Huasteca, guacharaca, requinto solo @ 1'40.
