Parole ... Gospel song from the spiritual repertoire composed by Reverend ...Gospel song from the spiritual repertoire composed by Reverend Charles Albert Tindley in 1905. "When everything goes wrong, There's troubles in your home Oh, lord, Oh Lord , Stand by me..." Singer, choir, percussion & bass. Instrumental tr-24.
Verse 1 When everything goes wrong, There’s troubles in your home Oh, Lord, Oh Lord , Stand by me
Chorus
Lord, stand by me, As I walk this land alone Lord stand by me Help me bear this heavy load Oh if I stumble Lord, pick me up Help me drink from this bitter cup Oh Lord, Oh Lord, Stand by me
Verse 2
When everything goes wrong, There’s troubles in your home Oh, lord, Oh Lord, Stand by me I don’t worry and I don’t fret, Cause my God has never left me yet Oh Lord, Oh Lord, Stand by me
Chorus Lord, stand by me, As I walk this land alone Lord stand by me Help me bear this heavy load Oh if I stumble Lord, pick me up Help me drink from this bitter cup Oh Lord, Oh Lord, Stand by me
Words & Music by Reverend Charles A. Tindley (DP)
Arrangement by : Manuel Galvin & Jean-Jacques Milteau
Parole ... African-American spiritual song of the 19th century. "Go, tell it on ...African-American spiritual song of the 19th century. "Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction with gospel lead vocal & choir a cappella. Rhythm section & electric guitar @ 0'31. Instrumental tr-30.
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 1 While shepherds kept their watching, Over silent flocks by night Behold, throughout the heavens, There shone a holy light
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Verse 2 The shepherds feared and trembled, When low above the earth Rang out ,angels chorus that hailed Our saviours birth
Chorus Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is born
Chorus as lib Go! Tell it on the mountain! Over the hills and everywhere Go! Tell it on the mountain! That Jesus Christ is bornGo tell it! Go tell itGo tell it! On the mountain
Go tell it! Everywhere Go tell it! Everywhere Go tell it! Can you tell the story Go tell it! About when He came, to the mountain Go tell it! OOOHH, Lord! Go tell it! Go tell it!
Traditional arranged by : Manuel Galvin & Jean-Jacques Milteau
Parole ... Folksong that became popular during the social movements of the 50s ...Folksong that became popular during the social movements of the 50s and 60s. Also known as Bahamian Lullaby. "All my trials, Lord, Soon be over." Lead vocal & choir in a gospel spirit. Organ @ 0'55. Percussion & ebow guitar @ 1'23. Instrumental tr-27.
All my trials Lord, Soon be over
Verse 1 I had a little book, it was given to me And on every page, selles Liberty All my trials Lord Soon be over
Verse 2 If religion was a thing that money could buy The rich would live, and the poor would die All my trials Lord Soon be over
Bridge Too late my brothers, too late But never mind. All my trials Lord. Soon be over
Verse 3 If Malcolm and Martin were living today They’d look around, what would they say All my trials Lord Soon be over
Bridge Too late my brothers too late But never mind All my trials Lord Soon be over All my trials Lord Soon be over
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
I don’t need to flyI don’t need to flyI don’t need to flyI don’t need to fly Meeting in HeavenGo from pillow to post me.Vision in HeavenGo from pillow to post me.Meeting in HeavenGo from pillow to post me. I don’t need to flyI don’t need to flyI don’t need to flyI don’t need to fly Go from pillow to post me.Meeting in HeavenGo from pillow to post me.Vision in HeavenGo from pillow to post me.
Parole ... Famous gospel/folksong known since the second half of the 19th ...Famous gospel/folksong known since the second half of the 19th century about a plaintive soul on the journey through life "I am a poor wayfering stranger". Moving & sad. Male voice in a soul spirit, chimes & synth layers. Instrumental tr-15.
Verse 1
I am a poor wayfaring stranger While traveling through this world of woe Yet there's no sickness, toil or danger In that bright world to which I go.
Chorus I'm going there to meet my Father I'm going there no more to roam I'm only going over Jordan I'm only going over home.
Verse 2
I know dark clouds Will gather round me I know my way Is rough and steep Yet beautiful fields Lie just before me Where god’s redeemed their vigils keep
Chorus
I'm going there to meet my mother
She said she’d meet me
When I come I'm only going over Jordan I'm only going over home. I'm only going over home
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Parole ... Electro funk. Rhythmic, intense & fiery. Synth, male singer, electric ...Electro funk. Rhythmic, intense & fiery. Synth, male singer, electric guitar & rhythm.
Every morning in the town we are lazyI found it right nowIn our mind we are dirtyDon’t waste your time I’ll be good to be your dandyI own your mindin our love we’ll be crazyDon’t deny
Pray (I need to pray)Stay in love When you loose controlWhen you prayyou can find your heart PrayIt’s not enough babeWhen you loose controlWhen you prayyou can find your heart PRAY!
I’ll be bad for you babyIf you scream and shoutAnd you’ll bring me to the placesFor all this timeYou play with me girlAnd I feel like a dumbBring me pleasureAnd it will be our last night Pray (I need to pray)Stay in love When you loose controlWhen you prayyou can find your heart PrayIt’s not enough babeWhen you loose controlWhen you prayyou can find your heart
Parole ... Deep, warm, spiritual. Low thrumming instrumentation with organ and ...Deep, warm, spiritual. Low thrumming instrumentation with organ and church chord progression with warm dulcet guitar picking. Female vocals sing about their heaven, finding acceptance and happiness in simplicity alongside a loved individual. Overtly gospel spirit with warbling organ and instrumentation swells.
The gates to my heaven are no lofty place, No gold and gilt or silver shine, Just two hinges and some peeling paint, That’s where we live you and I.
And I'm so glad you made it, I'm so glad you made it into my kind of heaven,
This is my kind of heaven. There’s tall pines on the hillside, They watch the weather blow, and the people and their talking, and seasons come and go. And I'm so glad you made it, I'm so glad you made it into my kind of heaven, This is my kind of heaven. And in the summer flowers grow, Then they hide beneath the winter snow, But it's all love, just so you know. This is my kind of heaven, No gold and gilt or silver shine,
I'm so glad you made it, I'm so glad you made it into my kind of heaven, This is my kind of heaven.
Deep, warm, spiritual. Low thrumming instrumentation with organ and ...Deep, warm, spiritual. Low thrumming instrumentation with organ and church chord progression with warm dulcet guitar picking. Overtly gospel spirit with warbling organ and instrumentation swells. Instrumental version.
Deep, warm, spiritual. Low thrumming instrumentation with organ and ...Deep, warm, spiritual. Low thrumming instrumentation with organ and church chord progression with warm dulcet guitar picking. Overtly gospel spirit with warbling organ and instrumentation swells. Stripped back underscore version.
Parole ... Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion and gospel vocals singing angelically about heaven and love. Staccato piano joins light percussion to create light, uplifting energy, piano chords conveying catharsis and happiness. Living joyously and in service of God. Wah-wah and acoustic guitar gifts a fuller formed instrumentation, cushioning crooned female vocals. Reprise of staccato section with deep bass galvanising a feelgood aura.
The sweet sweet touch of heavenThe sweet sweet touch of love Love is the reason for every seasonYeah yeah
Parole ... Hopeful, heartwarming, poignant. Simple guitar chord sequence joined ...Hopeful, heartwarming, poignant. Simple guitar chord sequence joined by female vocal singing about finding similarities between one another, finding solace from suffering in our mutual need for love and companionship. Simplistic instrumentation conveys the elementary nature of human connection. Male backing vocals toward conclusion bring a sense of achieved togetherness.
You’ll be you and I’ll be meLike water to a flameBut in the end I guess we’re all the same So light a fire and burn through all the sufferingBlack is the nightBut you don’t need to let that darkness in \Who is they? And who is us?Ain’t no use in fightingCause one day soon our bodies will be dust Hallelujah, we’re all singing hallelujahWouldn’t it be better if we all came togetherCarrying each other through todayNothing in our way
Parole ... Warm, spiritual, religious. Slow, welcoming guitar sets out a simple ...Warm, spiritual, religious. Slow, welcoming guitar sets out a simple chord progression. Emotive female vocals sing about Jesus’ love, feelings of assuredness and companionship in Christian values and beliefs. Combination of simplistic guitar and powerful vocal performance conjure visions of quaint village and family life, people living peaceful lives in service of the lord and land. Repetition affirming a religious love and friendship. Harmonica solo at 02:14 gifts an American deep-south energy. Visions of wide open fields and plains.
Yes Jesus loves me Yes Jesus loves meYes Jesus loves me Yes Jesus loves me for the bible tells me so Jesus loves me this I know for the bible tells me so Little ones to him belong they are weak but he is strong Yes Jesus loves me Yes Jesus loves meYes Jesus loves me Yes Jesus loves me for the bible tells me so
Parole ... Pacy, devoted, happy. Fast acoustic guitars move into rough and ...Pacy, devoted, happy. Fast acoustic guitars move into rough and textured rhythm. Female and male vocals sing lyrics about religious support and feelings of companionship. Soulful female vocal performance conveys a sense of deep power and hopefulness, alongside country male vocals communicating rustic homespun spirit.
Swing low sweet chariot Coming for to carry me home Swing low sweet chariot Coming for to carry me home I looked over Jordan and what did I see Coming for to carry me home A band of angels coming after me Coming for to carry me home Swing low sweet chariot Coming for to carry me home Swing low sweet chariot Coming for to carry me home Now if you get there before I do Coming for to carry me home Tell all my friend that I’m coming too Coming for to carry me home Swing low sweet chariot Coming for to carry me home
Swing low sweet chariot Coming for to carry me home Sometimes I’m up, sometimes I’m down Coming for to carry me home Still my soul feels heavenly bound Coming for to carry me home
Parole ... Reverent, spirited, positive. Wistful guitar melodies assert a ...Reverent, spirited, positive. Wistful guitar melodies assert a wholesome sense of importance and gratefulness. Male vocals sing about service to God and the church of Christianity. Feelings of redemption, those who have been down on their luck and destitute finding stability in religion. Repetition of chorus conveys sense of working hard and for a good cause.
I’m working on a building, working on a building Working on a building, For my lord, for my lord It’s a holy ghost building, its a holy ghost building A holy ghost building, for my lord, for my lord If I was sinner I’ll tell you what I’d do I’d quit all my sinning and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord If I was drunkard, tell you what I’d do I’d quit all my drinking and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord If I was a preacher I tell you what I’d do I’d keep on preaching and I’d work on a building too I’m working on a building, working on a building Working on a building, For my lord, for my lord It’s a holy ghost building, its a holy ghost building A holy ghost building, for my lord, for my lord
Parole ... Fun, uplifting, energetic. A bouncy drum track, piano, tuba, ...Fun, uplifting, energetic. A bouncy drum track, piano, tuba, accordion and handclaps interspersed with soul and blues vocal samples give this track a quirky, fun feel. A soulful, pop, party track with an uplifting headnod factor.
i refuse to let you goyou gonna leavehey you gonna leavehey i refuse to let you go hey i refuse to let you goyou gonna leavehey you gonna leavehey ahhh ahhhh ahhh ahhh aeyah ah ah ah aey let you goaey aeyahhh ahhhh ahhh ahhh aey let you goaey aey let you goaey aey i refuse to let you gohey i refuse to let you go hey you gonna leave my body i said my babyleavehey i refuse to let you goyou gonna leave
you gonna leave ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey let you goaey aey ahhh ahhhh ahhh ahhh aey
Parole ... Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a ...Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. ...Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Parole ... Avant-garde pop/folktronica ballad. Introduction with celestial voice ...Avant-garde pop/folktronica ballad. Introduction with celestial voice & guitar. Female singer @ 0'45 & progression, rhythm @ 1'30 with sampled vocal loop. Only instrumental @ 1'45 & fade out.
We’ve crossed the landscape Far the Avenue I’ve let my heart heal Oh we’ll see it throughNow the grass is green Let’s go for a walk And all that’s left between The silence in our love
God God Above The silence in our love
Plea Perfect Plea Plea is to be Perfect Plea
God Above
Plea Perfect Plea Plea is to be Perfect Plea
Perfect name is God Plea Perfect PleaThe silence in our love
You’re above all thing GodMy god aboveOh LordYou’re above all things God
Parole ... Hopeful, heartwarming, poignant. Simple guitar chord sequence joined ...Hopeful, heartwarming, poignant. Simple guitar chord sequence joined by female vocal singing about finding similarities between one another, finding solace from suffering in our mutual need for love and companionship. Simplistic instrumentation conveys the elementary nature of human connection. Male backing vocals toward conclusion bring a sense of achieved togetherness.
You’ll be you and I’ll be meLike water to a flameBut in the end I guess we’re all the same So light a fire and burn through all the sufferingBlack is the nightBut you don’t need to let that darkness in \Who is they? And who is us?Ain’t no use in fightingCause one day soon our bodies will be dust Hallelujah, we’re all singing hallelujahWouldn’t it be better if we all came togetherCarrying each other through todayNothing in our way
Straightforward, poignant. Simple guitar chord sequence plays ...Straightforward, poignant. Simple guitar chord sequence plays through, shifts between minor and major convey tribulations overcome and dealt with. Banjo toward the end supporting a striving momentum. Instrumental version.
Straightforward, poignant. Simple guitar chord sequence plays ...Straightforward, poignant. Simple guitar chord sequence plays through, shifts between minor and major convey tribulations overcome and dealt with. Banjo toward the end supporting a striving momentum. Stripped back underscore version.
Parole ... Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. Lyrics about passion and the unending passing of time. Banjo plays out a repetitive accompanying riff, furthering the brave and striving pace. Religious sentiment conveys an old-fashioned stoicism.
Time has taken its tollThere ain't nothing left hereThis ain't no home Dreams have cut off their wingsThis fire will burn through the nightAnd into the spring Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujah Pray for the ones who were lostPray that we all find a place in which we belong Free yourself from the chainsThere ain't nothing stopping you nowSo turn back around now dear Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujah Hey, I guess we got oldWe just spent all our days lying here in the cold As far as I can seeain't no use in this lifeain't no use in you or me Food for the manFuel for the flameThe story went coldBuried in shameOn the day that she came she was singing hallelujahOn the day that she came she was singing hallelujahOn the day that she came she was singing hallelujah
Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. Banjo plays out a repetitive accompanying riff, furthering the brave and striving pace. Instrumental version.
Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set ...Rousing, heartfelt, rustic. Sombre but triumphant guitar chords set out a steady momentum. A homely, warm atmosphere is created from the organic sounds of the guitar. Stripped back underscore version.
Parole ... Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion and gospel vocals singing angelically about heaven and love. Staccato piano joins light percussion to create light, uplifting energy, piano chords conveying catharsis and happiness. Living joyously and in service of God. Wah-wah and acoustic guitar gifts a fuller formed instrumentation, cushioning crooned female vocals. Reprise of staccato section with deep bass galvanising a feelgood aura.
The sweet sweet touch of heavenThe sweet sweet touch of love Love is the reason for every seasonYeah yeah
Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion and gospel vocals singing angelically about heaven and love. Staccato piano creates light, uplifting energy, fuller piano chords conveying catharsis and happiness. Living joyously and in service of God. Acoustic version.
Spiritual, meaningful, celebratory. R&B piano accompanies light ...Spiritual, meaningful, celebratory. R&B piano accompanies light percussion conveying an emotive but laidback atmosphere. Staccato piano joins growing percussion to create light, uplifting energy, piano chords conveying catharsis and happiness. Wah-wah and acoustic guitar gifts a fuller formed instrumentation. Reprise of staccato section with deep bass galvanising the feelgood aura. Instrumental version.
Parole ... Affectionate, passionate, spiritual. Dulcet organ plays through a ...Affectionate, passionate, spiritual. Dulcet organ plays through a subtle, jazzy grouping of chords. Female vocals sing in raspy, low voices creating a sultry atmosphere. Hopeful choral voices raise the pitch, lead female vocalist sings about patience and kindness, finding peace with someone. Feelings of warmth and embrace, a spiritual connection with another or with a higher power.
There is no one like youThere is no one like you LoveYour love is truePatient and kindI find my peace in your embraceYou give me strengthStrength to go onI feel the kindness of your grace Can’t get enough of your loveKeeps lifting me up There is no one like you
Affectionate, passionate, spiritual. Dulcet organ play through a ...Affectionate, passionate, spiritual. Dulcet organ play through a subtle, jazzy grouping of chords. Female vocals sing in raspy, low voices creating a sultry atmosphere. Hopeful choral voices raise the pitch, lead female vocalist sings about patience and kindness, finding peace with someone. Feelings of warmth and embrace, a spiritual connection with another or with a higher power. Acoustic version.
Passionate, spiritual, jazzy. Dulcet organ play through a subtle, ...Passionate, spiritual, jazzy. Dulcet organ play through a subtle, jazzy grouping of chords. Hopeful chord sequence is joined by clicks and light percussion, creating a slow but assured momentum. Feelings of warmth, a spiritual connection. Instrumental version.
Parole ... Arty, nocturnal & introspective. Chinese inspired electro world. ...Arty, nocturnal & introspective. Chinese inspired electro world. Electronics, erhu, spoken female voice in Mandarin & rhythmic. Suggested for fashion & urban night in China.
小尼姑，年方二八，正青春，被师傅削去了头发。我本是女娇娥，又不是男儿郎。
Je suis une petite nonne de 16 ans, en pleine jeunesse mon maitre m’a obligée de me raser la tête.Mais je dois être une jolie fille, pas un garçon.
