Post-classical. Sad & haunting with emotion. Piano & string textures. ...Post-classical. Sad & haunting with emotion. Piano & string textures. Long minimalist progression & string ensemble @ 1'08.
Solo piano on a rumba rhythm. Elegantly danceable, exotic, graceful & ...Solo piano on a rumba rhythm. Elegantly danceable, exotic, graceful & jazzy. Old-fashioned cheek-to-cheek...
Parole ... Avant-garde pop/folktronica ballad with a touch of African ...Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Thoughtful & sentimental intro with piano & dizi flute building-up ...Thoughtful & sentimental intro with piano & dizi flute building-up with heavy cinematic percussion. Proud, majestic & epic theme with full hybrid orchestra in a spirit of achievement until a glorious climax. A story of love and war in ancient China...
Alternate without percussion. Thoughtful, romantic & sentimental ...Alternate without percussion. Thoughtful, romantic & sentimental intro with piano & dizi flute. Sound fx break @ 0'59. Proud, majestic & epic theme @ 1'18 with full hybrid orchestra in a spirit of achievement.
Suspended, sad, sparse & solitary. Piano then violin & cello @ 0'36. ...Suspended, sad, sparse & solitary. Piano then violin & cello @ 0'36. Suggested for old-fashionned romantic films.
Suspenseful intro on a slightly haunting leitmotiv. Sad, tragic but ...Suspenseful intro on a slightly haunting leitmotiv. Sad, tragic but resilient. Violin & piano. Acoustic guitar @ 1'25. Suggested for nature & human drama.
Parole ... Chinese pop/folk ballad. Sung in mandarin. Intimate, melancholic & ...Chinese pop/folk ballad. Sung in mandarin. Intimate, melancholic & emotional. Female singer, acoustic & electric guitars & bass.
Stepping into the heavy rain
I’m trapped in the silence of no path
In your eyes I see a house
A distant deep dawn
Wind all this way, wind all that way
Blowing over your shoulder
Before you turn around the abyss cracks beneath your feet
Those crazy raindrops
Snuffed my flame
You finally disappeared,
A butterfly stopped, amidst the debris on the floor
Short version with reveal. Happy-end. Joyful, mischievous & ...Short version with reveal. Happy-end. Joyful, mischievous & exhilarating. Magical. Piano, orchestra & glockenspiel.
This tango piece exudes passion and is still sophisticated. Ideal for ...This tango piece exudes passion and is still sophisticated. Ideal for cultural contributions about art, literature or architecture.
This tango piece exudes passion and is still sophisticated. Ideal for ...This tango piece exudes passion and is still sophisticated. Ideal for cultural contributions about art, literature or architecture.
This tango piece exudes passion and is still sophisticated. Ideal for ...This tango piece exudes passion and is still sophisticated. Ideal for cultural contributions about art, literature or architecture.
Parole ... Tropical latin rhythms. Dancing, warm yet fervid. Female singer, sung ...Tropical latin rhythms. Dancing, warm yet fervid. Female singer, sung in Spanish in a salsa/pop mood. Spanish guitar, brass & Latin percussion.
Vámonos pa Puerto Velero Fue ahí te vi por primera vez Ví tu sonrisa de miel con tus ojitos cafés que iluminaron mi vida.
Pensé ¿quién es ese hermoso ser?ese que con su bailao’tiene todo el pueblo alocao’pensando en sus caderas Y ese contoneo sensual que tienes en ticuestionaron todo lo que creía de mi y entre las palmeras bailando frente al mar.
Con el fuego y el aire hiciste complicidad.
Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral. mucha magia ancestral. mucha magia ancestral. No sé¡ay dime qué más hacer!te busco por todo lao’ y nada que te he encontradomandame señal de humo.
Pensé ¿quién es ese hermoso ser?ese que con su bailao’tiene todo el pueblo alocao’pensando en sus caderas.
Y ese contoneo sensual que tienes en ticuestionaron todo lo que creía de mi y entre las palmeras bailamos frente al mar.
Con el fuego y el aire hiciste complicidad.
Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral. Tropical tan sensual como la brisa refresca mi alma y ser ven pa’ acá pa’ bailar.Frente al mar que me mire solo bastará...Tropical tan sensualTu piel morena brilla por si sola hablará ven pa’ acá pa’ bailar.que puedo ver en ti mucha magia ancestral.
Parole ... Emotional, swaying & rural Latin song, sung in Spanish. Female ...Emotional, swaying & rural Latin song, sung in Spanish. Female singer, Spanish guitar, traditional Colombian gaita & minimal percussion elements.
Mueveté, mueveté... mueve tus caderas veComo si fueras el vientoComo si fueras la lluviaComo si no hubiera el tiempo Mueveté, mueveté... mueve tus caderas veComo si fueras el vientoComo si fueras la lluviaComo si no hubiera el tiempo
El tiempo se acaba... se te acaba el tiempoY se va el momentoEl tiempo se acaba... se te acaba el tiempoY se va el momento Mueveté, mueveté...mueve tus caderas veComo si fueras el viento
Parole ... Song. Sung in Italian. 80's. Tragicomic & jazzy. Male voice, piano, ...Song. Sung in Italian. 80's. Tragicomic & jazzy. Male voice, piano, brass & rhythm.
ItalianoCo-sì, Cosi mi ha lasciato solo, Una mattina quasi normale Dopo il caffè.
Cosi, mi ha lasciato il cane e il pesce rosso, La pila di panni sporchi,
E i piatti da risciacquare.
Amore, non capirò mai, Quello che in me non va,
Cosa ho fatto di male,
Le donne, sempre si giocan di me,
Maledizione! Le donne,
Tutte da me, vanno via.
Così, Così mentre leggevo il giornale,
S'è fatta la valigia e ciao
Non l’ho vista più.
Così, Con passo svelto e leggero è fuggita
Un passo che mi diceva:
La cucina falla tu!
Français
Comme ça Comme ça elle m’a laissé seul, Un matin presque normal Après le café. Comme ça, elle m’a laissé le chien et le poisson rouge, La pile de linge sale, Et la vaisselle à faire.
Comme ça, Comme ça pendant que je lisais le journal, Elle a fait sa valise et ciao Je ne l’ai plus revue. Comme ça, D’un pas rapide et léger elle a disparu Un pas qui me disait : La cuisine fais-la toi-même !
Mon amour, je ne comprendrai jamais, Ce qui ne va pas Ce que j’ai fait de mal, Les femmes, se jouent toujours de moi, Malédiction ! Les femmes, S’éloignent toutes de moi.
English
Just like that, Just like that, she left me alone An almost ordinary morning After the coffee Just like that, She left me the dog and the goldfish The pile of dirty laundry And the washing up to do Just like that,
Just like that, Just like that, while I was reading the paper She packed her bag and ciao! I never saw her again. Just like that, With a quick and silent footstep, she disappeared A footstep saying to me: Do your own cooking.
My love, I’ll never understand What’s the matter What did I do wrong, Women scorn me A curse! Women, All get out of my way.
Parole ... Song. Sung in Italian. 60's. Twist. Determined & dancing. Male voice, ...Song. Sung in Italian. 60's. Twist. Determined & dancing. Male voice, alto sax, electric guitar, female back-ups & rhythm.
Italiano
Tutti giorni in questa strada,
alle sette ogni mattina,
il cuor turbato ma son pronto ad aspettare, un po’ nervoso,
questa ragazza camminando,
vedo passar davanti a me,
mi sembra un angelo caduto
solo per me.
Con tua pelle d'oro,
tuoi capelli di grano, e tuoi occhi d'azzurro,
tu sei, tu sei,
Con tua pelle d'oro,
tuoi capelli d’ebano di grano, e tuoi occhi d'azzuro,
tu sei, tu sei,
oh tu sei mi-o cie-lo.
Un lunedì dal cielo grigio,
vidi una stella nel tuo sguardo,
un enigma il tuo sorriso sulle tue labbra di velluto
il cuore mi suonò il tamburo,
ma presto lo sentii spezzare,
quando capii ché questa fiamma
bruciava, ma non per me.
Français
Tous les jours dans cette rue A sept heure tous les matins Le cœur troublé mais prêt à attendre un peu nerveux Cette fille qui avance, Que je vois passer devant moi, Et qui me semble être un ange tombé du ciel Seulement pour moi
Avec ta peau dorée Tes cheveux de blé Et tes yeux bleus Tu es, tu es, Avec ta peau dorée Tes cheveux de blé Et tes yeux bleus Tu es mon ciel
Un lundi de ciel gris Je vis une étoile dans ton regard Sur tes lèvres de velours Ton sourire était une énigme Mon cœur se mit à battre Mais très vite il se brisa
Quand je compris que cette flamme Brûlait Mais pas pour moi
English
Every day in this street At seven o’clock each morning The heart troubled but ready to way a little anxiously For this girl to go by She walks in front of me And seems to me like an angel Fallen from the sky Just for me
With your skin of gold And your hair of silk And your azure eyes You are you are Oh! you are my heaven
One Monday beneath a grey sky I saw a star in your eyes On your velvet lips Your smile was an enigma My heart began to beat But was quickly broken When I realized that this flame Was burning But not for me.
