Conclusive. Both fatalistic, stubborn & hopeful. Progression & finale ...Conclusive. Both fatalistic, stubborn & hopeful. Progression & finale @ 1'20. Piano & strings.
Sad, fatalistic & expectant. Sparse guzheng, cautious waves of ...Sad, fatalistic & expectant. Sparse guzheng, cautious waves of strings & piano. Chinese movie style.
Post-rock. Aerial, peaceful then confident but a bit nostalgic. ...Post-rock. Aerial, peaceful then confident but a bit nostalgic. Electric & acoustic guitars.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove ...Cartoony, silly, ironic vibe in a vintage style. Mid-tempo groove with a simple, unforgettable flute theme.
Simple guitar riff, handclaps and energetic drums characterize this ...Simple guitar riff, handclaps and energetic drums characterize this punk-influenced indie rock smasher. For feeling energetic, refreshed and motivated.
USA/Americana. Heartful, easy-going & positive mid-tempo country ...USA/Americana. Heartful, easy-going & positive mid-tempo country ballad. Pedal steel guitar, mandolin, harmonica, acoustic & electric guitars & rhythm. Suggested for American pastoral & rural way of life.
USA/Americana. Retro/old-time country waltz. Swaying & tender with ...USA/Americana. Retro/old-time country waltz. Swaying & tender with nostalgia. Pedal steel guitar, banjo & rhythm. Lead banjo @ 1'00. Suggested for rural way of life.
Parole ... Chinese nu-folk/pop song. Sung in mandarin. Introspective, pastoral & ...Chinese nu-folk/pop song. Sung in mandarin. Introspective, pastoral & intimate. Female singer, piano, synth pads & percussion.
There is a pond in front of the gate.
Water is flowing out
Birds are coming to bathe
Magpies are playing with lotus flowers
Girls are coming to wash the cloth.
Boys are threshing flour.
Take a look. Three times.
Working on the stone.
Take a look. Three times.
Working on the stone.
Parole ... Chinese nu-folk/pop ballad. Sung in mandarin. Romantic, reflective & ...Chinese nu-folk/pop ballad. Sung in mandarin. Romantic, reflective & emotional. Female singer, electric guitar, bass & synth.
I don’t know how to settle my heart down
Best is to put it on the road so that it won’t be lost
Destiny is singing desperately
Turbulent like rain in the night
Before I wake up, the night is always so long
The moon is always by my bed
Remanding me I’m in another country
I look into the sky, these moving lights
Some invisible fingers, eternal doubts
Watching the clouds passing, listening to the world whispering
To say goodbye to you again
Too late to hesitate
After listening to all this you will finally meet
Indie rock / clapping rock. Leading, edgy & tight. Recommended for ...Indie rock / clapping rock. Leading, edgy & tight. Recommended for ads & sports. Rock band with claps & humming vocals.
Parole ... Traditional lament from the Caribbean region of Colombia, sung in ...Traditional lament from the Caribbean region of Colombia, sung in Spanish. Poignant & touching. Female singer, claps & Spanish guitar.
Yo te doy mi corazónLlora gavilánSió sió gavilánY tú a mí me das el tuyoLlora gavilánSió sió gavilánSió sió gavilánQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sióQue me encuentro el desvaríoLlora gavilánSió sió gavilánSió sió gavilánYo soy como el gallo negroLlora gavilánSió sió
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Underscore. Traditional from the Caribbean region of Colombia. ...Underscore. Traditional from the Caribbean region of Colombia. Melancholic & touching. Spanish guitar & claps.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Parole ... Traditional song from the Caribbean region of Colombia, sung in ...Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15.
Azúca me llamo yo,Azúca me llamo yo,Azúca me puso el padre, cuando me metio la sal. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca, azúca será, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Azúca, Azúca.El loro y la lora estaban loriando,El loro y la lora estaban loriando,Y yo por la reja estaba mirandoY yo por la reja estaba mirandoEl loro comiendo y yo trabajandoEl loro comiendo y yo trabajandoTrabaja compañero, trabaja. (Azúca)Trabaja voca arriba trabaja. (Azúca)Trabaja medio lado trabaja. Con que se mantiene, con la flor del verano.Con que se mantiene, con la flor del verano.Trabaja compañero, trabaja.Trabaja medio lado trabaja.Trabaja voca arriba trabaja.Trabaja voca arriba trabaja. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca me puso el padre, (Azúca)Cuando me metio la sal, (Azúca) Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento.Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento. Azúca, Ay con que se mantieneAzúca, Con la flor del veranoAzúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Author(s) :
Traditional
CL :
10347
Album :
Latin Songs: In a Traditional Mood
Data di rilascio :
01/04/2020
Eseguito da :
Aida Bossa
Editore(i) :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006760
Azúcar - El Loro y la Lora ...Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy ...Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Parole ... Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop ...Modern Latin folk. Sentimental lament, sung in Spanish with dream-pop elements. Female singer, Spanish guitar, synths, minimal electronic & Latin percussion.
Yo voy llorando mi penaPorque la quiero llorarSi no quisiera llorarlaMejor me pone a cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuelva a buscá' Tambolero pa cantá' Déjame llora que lloreQue pruebe la oscuridadDéjame sola ay que añorePa que te vuela a llamar Tambolero pa cantá' Voy tamboleroTambolero pa' cantá'Voy tamboleroTambolero pa' cantá'Deja que hoy quiero llorá'Tambolero pa' cantá'Pa' que te vuelva a llamá'Tambolero pa' cantá' Tambolero, tambolero, tambolero tambolero... Y que te vuelvo a llamar, TamboleroDéja que la noche caigaY que te vuelvo a llamar, TamboleroY nos volvamo' a encontrá'Y que te vuelvo a llamar, TamboleroSin prisa, sin afánY que te vuelvo a llamar, TamboleroComo la ciénaga va al marY que te vuelvo a llamar, Tambolero Tambolero, tambolero, tambolero tambolero... Tambolero pa' cantá'Tambolero pa' arrullá'
Underscore. Modern sentimental latin folk, with dream-pop elements. ...Underscore. Modern sentimental latin folk, with dream-pop elements. Spanish guitar, synths, minimal electronics & Latin percussion.
Parole ... Song. Sung in Italian. 60's. Slow. Sentimental & dancing. Female ...Song. Sung in Italian. 60's. Slow. Sentimental & dancing. Female voice, strings, trumpet, keyboard & rhythm.
Italiano Il primo amore,
Sarà per sempre il più bello
Il primo amore sarà per sempre per il più forte
All' orizzonte quando il cielo s’oscura,
Non ce ne accorgiamo
Il primo amore si vive solo una volta
Il primo sguardo
Rimane dentro i miei sogni
Il primo sguardo rimane
Dentro il mio cuore
Nei nostri occhi tante, tante promesse
Che un battito di ciglia
Può dare abbastanza amore per l'eternità
Il primo bacio
Sarà per sempre il più dolce
Il primo bacio
Sarà per sempre il più vero
Quando dobbiamo lasciarci le mani,
Quando dobbiamo dirci ciao
Allora « A domani » suona come « Addio »
Il Primo amore si vive
Mmh.... (improvvisazione) Solo una volta
Français
Le premier amour Sera pour toujours le plus beau Le premier amour sera pour toujours le plus fort A l’horizon quand le ciel s’obscurcit, On ne s’en aperçoit pas Mais le premier amour ne se vit qu’une seule fois.
Le premier regard Reste dans mes rêves Le premier regard reste Dans mon coeur Dans nos yeux tant, tant de promesses Qu’un seul battement de cil Peut donner assez d’amour pour l’éternité.
Le premier baiser Sera pour toujours le plus doux Le premier baiser Sera pour toujours le plus sincère Quand nos mains se séparent Quand nous devons nous dire au revoir Alors « à demain » sonne comme « adieu ».
English
The first love Will always be the finest The first love Will always be the deepest On the horizon as the sky is fading We don’t realize it But the first love only lives once.
The first look Stays in my dreams The first look
Stays in my heart In our eyes, so many, so many promesses That one blink of an eye Can give enough love for eternity.
The first kiss Will always be the sweetest The first kiss Will always be the more sincere When our hands part When we must say goodbyes Then “goodbye” sounds “adieu”.
Sad, emotional & rigorous. Piano arpeggio & viola @ 0'18. Builds up ...Sad, emotional & rigorous. Piano arpeggio & viola @ 0'18. Builds up gradually @ 1'21 with staccato strings until a fatal ending.
Alternate without percussion. Sad, emotional & serious. Piano ...Alternate without percussion. Sad, emotional & serious. Piano arpeggio & viola @ 0'18. Builds up gradually @ 1'21 with staccato strings until a fatal ending.
